As the curtains fell on the “End Of The Road Tour” by Kiss at Madison Square Garden, our attention was drawn to Clinton Benoit, seemingly the solitary attendee of African descent in the vast audience. Intrigued by the uniqueness of his presence, we engaged Clinton in a conversation that uncovered his distinctive perspective as, quite possibly, the sole black/African American individual amidst the crowd.
Clinton candidly shared his profound admiration for rock and heavy metal genres when discussing his emotions concerning this apparent rarity. He emphasized that musical preferences are a universal language that transcends racial boundaries. Hailing from Haiti, Clinton explained that for him, attending Kiss’s final concert was a non-negotiable commitment rooted in a deep connection with the band dating back to their peak years.
Expanding the discourse to a wider context, Clinton recognized a broader trend among individuals of African descent appreciating rock and heavy metal. He pointed to iconic figures such as Lenny Kravitz and Prince, who seamlessly integrated these genres into their repertoire. Through these examples, he eloquently illustrated that musical tastes are subjective and inherently diverse. As a testament to this diversity, Clinton proudly declared his affinity for “Funky Konpa,” a music style with roots in Haitian Compas Direct
In this exceptional and singular experience, Clinton’s attendance at the Final Kiss Show emerges as a potent symbol of the unifying power inherent in music. It transcends conventional barriers, creating an environment where diversity is not merely recognized but joyously celebrated. Within the confines of the concert venue, typically considered a sacred space for collective musical celebration, a microcosm unfolds—a glimpse into a world where differences are acknowledged and fervently embraced. The shared love for music becomes the common thread that binds individuals from diverse backgrounds, fostering a sense of unity that resonates beyond the melodies and rhythms filling the air. Through Clinton’s presence, the Final Kiss Show transforms into a profound representation of the transformative potential of music, where the beauty of diversity takes center stage, and the harmony of shared passion eclipses any boundaries that may seek to divide.
In acknowledging the societal challenges faced by those who dare to challenge norms, particularly within the black community, Clinton dismissed the notion of being an outsider solely due to his presence at a Kiss concert. For him, the essence lay in relishing the music without being encumbered by considerations of race. He eloquently conveyed that personal preference takes precedence within music, and the shared joy of a live performance unites concertgoers irrespective of their racial background. Clinton’s experience is a powerful reminder of the unifying force of music, where diversity is celebrated and embraced.