Lady Gaga isn’t quite finished with the “Mayhem” era. On May 12, the singer announced “Apple Music Live: Lady Gaga Mayhem Requiem,” a filmed live performance that premieres globally on Apple Music on May 14 at 8 p.m. PT/11 p.m. ET. The same night, it screens for one night only at 15 AMC theaters across the United States, turning a streaming premiere into a communal event.

The screenings will take place in Atlanta, Boston, Chicago, Dallas, Denver, Minneapolis, Nashville, New York, Orlando, Philadelphia, Phoenix, San Francisco, Seattle, Tampa, and Washington, D.C. Fans register through Apple for access, and several locations have already moved to a waitlist.

The performance was filmed on January 14 at The Wiltern in Los Angeles, a historic theater far smaller than the arenas Gaga has been playing on her “Mayhem Ball” world tour. Roughly 2,300 fans attended, selected through a lottery tied to her mailing list, and were required to lock their phones in pouches for the night. Directed and produced by Morningview, the show reimagines Gaga’s Grammy-winning album “Mayhem” as a kind of funeral for the era, with the singer positioned as what Apple describes as “the phantom of her own gothic opera.”

Rather than a straightforward concert film, “Mayhem Requiem” strips back and rebuilds the album’s tracklist. Gaga spends much of the performance at the piano or synths, working through reimagined arrangements of “Abracadabra,” “Disease,” and the rest of the record among what the production describes as the ruins of the “Mayhem Ball” stage set.

The release strategy is unusual. Apple Music is dropping its paywall for the premiere, meaning anyone can stream the performance live on May 14 without a subscription. Once the premiere ends, the full performance moves behind the subscriber wall, where it remains available on demand alongside a companion live album.

That live album, released the same day via Interscope Records, is mixed in Spatial Audio, Apple’s immersive format, allowing listeners to approximate the experience of being inside The Wiltern. It marks the first live album of Gaga’s career.

The approach borrows from several playbooks at once. The free, no-subscription livestream is designed to pull in casual viewers, while the on-demand subscriber lockup and Spatial Audio album give listeners a reason to stay subscribed or sign up. The AMC screenings, meanwhile, tap into the same theatrical-event energy that turned recent concert films from Taylor Swift and Beyoncé into box office stories.

The project also signals a shift in how concert films are made and released. Rather than waiting months to package a tour into a documentary, Gaga filmed a one-off, purpose-built performance in January and turned it around as a standalone product by May. After a year of touring a portable opera house around the world, the pitch here is the opposite: an intimate room, a piano, and a fraction of the audience.

“Mayhem” has been a commercial fixture since its release. The album won Best Pop Vocal Album at the 2026 Grammy Awards and earned multiple nominations, including Album of the Year. Its lead single “Abracadabra” was nominated for Song of the Year, and “Disease” earned a nod for Best Pop Solo Performance. Gaga’s collaboration with Bruno Mars, “Die With a Smile,” spent weeks atop charts worldwide and further extended the album era’s reach.

For Apple, the deal continues a broader push to make Apple Music a destination for marquee live moments rather than just a streaming catalog. For Interscope, it extends the commercial life of one of the label’s biggest recent releases. And for fans, it lowers the barrier to entry to nothing, at least for one night, before the gate comes back down.

“Apple Music Live: Lady Gaga Mayhem Requiem” premieres May 14 at 8 p.m. PT, streaming free on Apple Music and screening simultaneously at participating AMC theaters. The companion live album arrives the same day.